Sunday, January 13, 2008

A question


In Spe Salvi the Pope makes the following point:
In the arrangement of Christian sacred buildings, which were intended to make visible the historic and cosmic breadth of faith in Christ, it became customary to depict the Lord returning as a king—the symbol of hope—at the east end; while the west wall normally portrayed the Last Judgement as a symbol of our responsibility for our lives—a scene which followed and accompanied the faithful as they went out to resume their daily routine. As the iconography of the Last Judgement developed, however, more and more prominence was given to its ominous and frightening aspects, which obviously held more fascination for artists than the splendour of hope, often all too well concealed beneath the horrors.
During the various discussions that have been happening on various 'blogs today, it's been pointed out that the Last Judgement is painted on the western wall of the Sistine Chapel. Now, it's not at all unusual for 'liturgical East' to be 'geographical West', I'm curious as to how it came about that the altar in the Sistine Chapel faces geographical west, towards something that iconographically belongs at the 'liturgical West'. Is there an interesting historical explanation?

3 comments:

Anonymous said...

Look carefully at the placement of the atlar cross in relation to Michelangelo’s fresco. The crucifix does not merely stand in juxtaposition to the image of the risen Christ. The cross stands in front of the entrance to Hell. It is through the power of the cross that the power of Satan is vanquished.

Anonymous said...

I failed to mention that it is said that the theme for the fresco was chosen after the Sack of Rome in 1527 (the fresco was begun in 1536, I believe). Many interpreted the pillaging of Rome as a divine punishment for the moral corruption of the city.

CrankyProfessor said...

If I remember correctly from Hibbard's book on Michelangelo (my copy is in Upstate NY) most art historians think the chapel is repeating the occidentation of the basilica - but it's clear the selection of Last Judgment for the W Wall is very late in the building's history. Maybe it's a use of geographical west for last judgement, maybe not.